Istana Iskandariah is the official residence of all the Sultans of Perak who have been installed since its completion in 1933. The palace is named after Sultan Iskandar Shah (1918-1938) who initiated its construction.
Istana Iskandariah is located at Bukit Chandan on the left bank of Sungai Perak upstream from Hilir Perak on the site of the former Istana Negara which was built in 1895 by Almarhum Sultan Idris Murshidul'adzam Shah (the late Sultan (in 1887-1916). It occupies an area of 10,435 square meters.
Upon the demise of Sultan Iskandar in 1938, Almarhum Sultan Abdul Aziz (1938-1948) succeeded him and moved into the palace. In 1948, Sultan Yussuff Izzuddin Shah (1948-1963) moved from Istana Kota (Istana Hijau) to Istana Iskandariah to succeed Sultan Abdul Aziz and in 1963, Sultan Idris Shah II (1963-1984) ascended the throne and stayed there until his demise in 1984.
The design of the palace is based on the architecture of West Asia which is famous for its pointed arches and onion-shaped domes. The building is rectangular in shape and faces the sunrise and the river.
The roof is designed with one main dome in the centre and four subsidiary domes, one on each of the palace.
The palace is of there storey. The ground floor houses The Royal Dining Room, two Audience Halls, Reception Area, the Royal Rest Chambers, Ladies' Cloak Room, Aide-de-Camp's Office, Music Hall and the Royal Council Chamber.
On the first floor are located the Princesses' bedrooms, two Royal Guest Rooms and Their Royal Highnesses' suite; while the second floor houses of the Princess's bedrooms and another Royal Guest Room.
Above the second floor and under the main dome is a minaret. Here the hall measures 9.8 square meters and is used by the Royal family as a family hall.
In 1984, Istana Iskandariah was extended towards the rear by an additional 11,468 square meters, at the same level ass the main palace and is connected to it by a covered bridge at the first floor level.
The architecture of the extension is similar to that of the main palace so that it appears as if it were one building constructed at the same time.
The extension which measures 99 meters by 38.7 meters is rectangular in shape with one main dome and four smaller ones, one at each corner. AS can be seen now, the palace has two main domes and eight smaller ones located at each corner of the palace.
The ground floor of the extension is the garage for the Royal cars, the first floor is the new Banquet Hall, while the second floor is the new Throne Room (Balairong Seri).
The Throne Room and Banquet Hall are decorated with carvings of BUNGA KELUMPANG.
About Me
- sofia
- I'm just a daddy's little girl and enjoying my life. I have a lovely family, great mummy and daddy, kind-hearted siblings, and cute nephews.
Friday, August 19, 2011
Tuesday, June 28, 2011
How do animals survive?
Animals survive through instinct and living in the natural environment that evolution has designed them for. When animals are born into their natural habitat, they are born with natural instincts inherited from their species that can be compared to the programming of a computer when you buy it (in this case when their born) that directs their actions for what they need to do to survive. Some creatures are left on their own to do this and some have their parent available to guide them and show them the techniques they need to survive. Sea turtles lay their eggs in pits dug on a beach and leave them to survive on their own. When the eggs hatch, the babies already have the instinct to dig out of their pit, crawl to the water and swim. Baby eagles or baby lions have instincts to fly or run and hunt but while they are maturing, they watch their parents to learn the tricks to being successful. Many types of creatures, like the sea turtles, need no example or instruction to survive and some need nurturing and training by parents but they are all born with the instincts that will take them into adulthood to reproduce themselves.
Friday, April 29, 2011
The Jackson 5 - The Motown Years
The Jackson 5 were more than a huge hit recording act. They were an international multi-media phenomenon who ushered Motown into its second decade with a stunningly fresh sound that has often been imitated but never duplicated.
Look beyond their unequaled chart success – their first four major label singles all reached No. 1 on the pop charts, they had a run of three years in which every single they released made the pop Top 20 and every single they released during their tenure on Motown reached the top 10 of the soul charts – and you find hour-long TV specials, an animated TV series, a extensive line of merchandise with the ubiquitous “J-5” logo in which both characters tailed into hearts, the popularization of the “robot” dance routine and regular cover stories in teen magazines. They rapidly became the pop sensation that Motown specialized in creating – and then reached new heights.
Most importantly, people loved them. “Words fail miserable when it comes to describing how instantly the flashy family captured hearts of all ages,” wrote music journalist A. Scott Galloway. “Grandparents wanted to adopt ’em and kids wanted to be them.” But the foundation for it all was great music, for which Motown is unmatched, and a stagecraft, which made them the rightful heirs of Sammy Davis, Jr., Jackie Wilson and James Brown.
Jackie (born May 4, 1951), Tito (October, 15 1953), Jermaine (December 11, 1954), Marlon (March 12, 1957) and Michael (August 29, 1958) hailed from Gary, Indiana, where their father Joe, a crane operator at a steel mill, had played blues guitar at local clubs; he began marshalling his sons into a family music group as far back as 1962. They played talent shows and amateur contests and continued to polish their act when about five years later, Gladys Knight first encountered them and recommended Motown take notice.
It would be Motown singer/producer Bobby Taylor who brought the quintet to Detroit not long after, began recording them, and alerted Berry Gordy’s assistant Suzanne de Passe of their immense abilities. She in turn told Gordy, whose initial response was, “I hate kid groups.” But once he saw these kids go through their routine on film, he whisked them to Los Angeles in the summer of ’68. Gordy set up old-style Motown Artist Development classes to refine their act and helped create a writing team – Deke Richards, Alphonzo Mizell, Freddie Perren and himself – dubbed “The Corporation,” to craft a smash debut record.
That song was “I Want You Back.” Motown historian Don Waller called it “probably the best pop record ever made.” Michael, the obvious centerpiece, conveyed an electric maturity well beyond his years. The B-side covered the Miracles’ “Who’s Loving You” from a decade earlier. It paired the type of vocal harmony that vocal groups would try to emulate decades later with Michael’s incredibly convincing plea, belying his pre-teen status; years later both Gordy and Smokey Robinson, its songwriter, would continue to marvel how Michael kicked Smokey’s original in the rear.
The group’s first LP, Diana Ross Presents The Jackson 5, linked the boys with Motown’s biggest star and hit the top 5 of the pop album charts. In short order, the J-5 began cranking out more Number 1 singles – “ABC,” “The Love You Save” and the mighty ballad “I’ll Be There,” which topped the chart for six weeks and became Motown’s biggest selling single to date. Their next two LPs each climbed to Number 4. In less than a year, the Jackson 5 had stormed the world.
Their image soon took hold across the media: Five fun-loving kids with prominent afro hair styles wearing brightly colored patterned shirts and bell-bottomed pants who moved on stage in perfect synchronicity – Michael singing and dancing with furious control, shadowed by Marlon and Jackie while Tito on lead guitar and Jermaine on bass moved with them. Their drummer Johnny Jackson (no relation) and keyboard player Ronnie Rancifer, both also from Gary, rounded out their stage act.
On record, their direct and instantly recognizable energetic sound was built around funky rhythm tracks with Michael’s high pitched vocals offset perfectly by Jermaine’s huskier second lead and soulful harmonies. Two more huge hits followed in “Mama’s Pearl” and the sophisticated “Never Can Say Goodbye.” And even though “Maybe Tomorrow” didn’t crack the upper reaches of the pop chart, Motown launched solo careers for both Michael and Jermaine and they each had scored big hits by 1972.
There was a Christmas LP and a soundtrack album from their TV special. As the boys (and their fans) started to mature, so did their material. On 1972’s Lookin’ Through the Windows album, their seventh in less than four years, the title song and “Little Bitty Pretty One” were big hits and each showed the group wasn’t dependent on any formula to find an audience. That album featured more of Jermaine’s vocals than previously, but Michael was still ever-present and riveting as always.
The transition continued as the group moved increasingly toward dance music on the Get It Together LP, when producer Hal Davis matched the Jackson 5 with some of Norman Whitfield’s earlier material for the Temptations, Gladys Knight and the Pips and Undisputed Truth. The result was a danceable groove that proved very popular in 1973, the title track especially becoming a favorite for Soul Train dancers on TV.
Sisters Janet and LaToya joined the stage act around this time and younger brother Randy became a permanent member of the group on percussion.
A year later, the metamorphosis was complete. The Jackson 5 had been guests on Stevie Wonder’s hit “You Haven’t Done Nothin’,” a musical indictment of political hypocrisy and soon returned to the top of the charts on their own. “Dancing Machine,” plucked from the Get It Together LP, and remixed for single release and its own LP in ’74, went to No. 1. It inspired the robotic dance craze that really has never entirely died. The LP also had the cutting edge song “I Am Love,” as adventurous as anything Stevie was recording.
When their Motown contract expired, the group elected to sign to Epic Records, although Jermaine, who had married Berry’s daughter Hazel, stayed with Motown as a solo artist. But before the group moved on, they released one final LP, Moving Violation, in 1975 which contained the type of music that would usher in the disco era. Their version of “Forever Came Today,” an extended version of the Supremes hit packed dance floors when it was released in 1976 and became a No. 1 disco hit. Following the success of the Jacksons at their new label, Motown also issued two albums of vaulted tracks, Joyful Jukebox Music and Boogie. The J5 were inducted the Rock & Roll Hall of Fame in 1997.
The Jackson 5 had grown up before our eyes and their musical legacy remains a remarkable testament, not just to Michael’s greatness, but to their collective talent.
Look beyond their unequaled chart success – their first four major label singles all reached No. 1 on the pop charts, they had a run of three years in which every single they released made the pop Top 20 and every single they released during their tenure on Motown reached the top 10 of the soul charts – and you find hour-long TV specials, an animated TV series, a extensive line of merchandise with the ubiquitous “J-5” logo in which both characters tailed into hearts, the popularization of the “robot” dance routine and regular cover stories in teen magazines. They rapidly became the pop sensation that Motown specialized in creating – and then reached new heights.
Most importantly, people loved them. “Words fail miserable when it comes to describing how instantly the flashy family captured hearts of all ages,” wrote music journalist A. Scott Galloway. “Grandparents wanted to adopt ’em and kids wanted to be them.” But the foundation for it all was great music, for which Motown is unmatched, and a stagecraft, which made them the rightful heirs of Sammy Davis, Jr., Jackie Wilson and James Brown.
Jackie (born May 4, 1951), Tito (October, 15 1953), Jermaine (December 11, 1954), Marlon (March 12, 1957) and Michael (August 29, 1958) hailed from Gary, Indiana, where their father Joe, a crane operator at a steel mill, had played blues guitar at local clubs; he began marshalling his sons into a family music group as far back as 1962. They played talent shows and amateur contests and continued to polish their act when about five years later, Gladys Knight first encountered them and recommended Motown take notice.
It would be Motown singer/producer Bobby Taylor who brought the quintet to Detroit not long after, began recording them, and alerted Berry Gordy’s assistant Suzanne de Passe of their immense abilities. She in turn told Gordy, whose initial response was, “I hate kid groups.” But once he saw these kids go through their routine on film, he whisked them to Los Angeles in the summer of ’68. Gordy set up old-style Motown Artist Development classes to refine their act and helped create a writing team – Deke Richards, Alphonzo Mizell, Freddie Perren and himself – dubbed “The Corporation,” to craft a smash debut record.
That song was “I Want You Back.” Motown historian Don Waller called it “probably the best pop record ever made.” Michael, the obvious centerpiece, conveyed an electric maturity well beyond his years. The B-side covered the Miracles’ “Who’s Loving You” from a decade earlier. It paired the type of vocal harmony that vocal groups would try to emulate decades later with Michael’s incredibly convincing plea, belying his pre-teen status; years later both Gordy and Smokey Robinson, its songwriter, would continue to marvel how Michael kicked Smokey’s original in the rear.
The group’s first LP, Diana Ross Presents The Jackson 5, linked the boys with Motown’s biggest star and hit the top 5 of the pop album charts. In short order, the J-5 began cranking out more Number 1 singles – “ABC,” “The Love You Save” and the mighty ballad “I’ll Be There,” which topped the chart for six weeks and became Motown’s biggest selling single to date. Their next two LPs each climbed to Number 4. In less than a year, the Jackson 5 had stormed the world.
Their image soon took hold across the media: Five fun-loving kids with prominent afro hair styles wearing brightly colored patterned shirts and bell-bottomed pants who moved on stage in perfect synchronicity – Michael singing and dancing with furious control, shadowed by Marlon and Jackie while Tito on lead guitar and Jermaine on bass moved with them. Their drummer Johnny Jackson (no relation) and keyboard player Ronnie Rancifer, both also from Gary, rounded out their stage act.
On record, their direct and instantly recognizable energetic sound was built around funky rhythm tracks with Michael’s high pitched vocals offset perfectly by Jermaine’s huskier second lead and soulful harmonies. Two more huge hits followed in “Mama’s Pearl” and the sophisticated “Never Can Say Goodbye.” And even though “Maybe Tomorrow” didn’t crack the upper reaches of the pop chart, Motown launched solo careers for both Michael and Jermaine and they each had scored big hits by 1972.
There was a Christmas LP and a soundtrack album from their TV special. As the boys (and their fans) started to mature, so did their material. On 1972’s Lookin’ Through the Windows album, their seventh in less than four years, the title song and “Little Bitty Pretty One” were big hits and each showed the group wasn’t dependent on any formula to find an audience. That album featured more of Jermaine’s vocals than previously, but Michael was still ever-present and riveting as always.
The transition continued as the group moved increasingly toward dance music on the Get It Together LP, when producer Hal Davis matched the Jackson 5 with some of Norman Whitfield’s earlier material for the Temptations, Gladys Knight and the Pips and Undisputed Truth. The result was a danceable groove that proved very popular in 1973, the title track especially becoming a favorite for Soul Train dancers on TV.
Sisters Janet and LaToya joined the stage act around this time and younger brother Randy became a permanent member of the group on percussion.
A year later, the metamorphosis was complete. The Jackson 5 had been guests on Stevie Wonder’s hit “You Haven’t Done Nothin’,” a musical indictment of political hypocrisy and soon returned to the top of the charts on their own. “Dancing Machine,” plucked from the Get It Together LP, and remixed for single release and its own LP in ’74, went to No. 1. It inspired the robotic dance craze that really has never entirely died. The LP also had the cutting edge song “I Am Love,” as adventurous as anything Stevie was recording.
When their Motown contract expired, the group elected to sign to Epic Records, although Jermaine, who had married Berry’s daughter Hazel, stayed with Motown as a solo artist. But before the group moved on, they released one final LP, Moving Violation, in 1975 which contained the type of music that would usher in the disco era. Their version of “Forever Came Today,” an extended version of the Supremes hit packed dance floors when it was released in 1976 and became a No. 1 disco hit. Following the success of the Jacksons at their new label, Motown also issued two albums of vaulted tracks, Joyful Jukebox Music and Boogie. The J5 were inducted the Rock & Roll Hall of Fame in 1997.
The Jackson 5 had grown up before our eyes and their musical legacy remains a remarkable testament, not just to Michael’s greatness, but to their collective talent.
Tuesday, April 26, 2011
Baby Face Nelson
Born in Chicago, IL, as Lester Gillis, on December 6, 1908, he grew up on the streets, already an accomplished car thief and petty criminal by the time he was twelve years old. He was arrested for the first time when he was 13, and sentenced to a year in a juvenile correction facility. Soon after he was released, he was arrested again, and sentenced to 18 months incarceration. In 1931, Gillis, who had a number of aliases by this time, was convicted of bank robbery, and was sentenced to 1-10 years in the Illinois State Penitentiary at Joliet. While in jail, he was tried and convicted of another bank robbery charge, and was sentenced to a year to life in prison. While being transported between jails, the prisoner, who was calling himself George Nelson at that time, escaped. He hooked up with John Chase, and would continue in partnership with him until their deaths.
In 1933, Nelson shot and killed a man during a robbery. He went on to murder several others, including some FBI agents. By this time, Nelson was working with John Dillinger's gang.
During a chase in 1934, Nelson was shot and mortally wounded. Acting on a tip, FBI agents found his body wrapped in a blanket at the side of the road near a cemetery in Illinois.
Nelson was married to Helen Wawzynak, and they had two children.
In 1933, Nelson shot and killed a man during a robbery. He went on to murder several others, including some FBI agents. By this time, Nelson was working with John Dillinger's gang.
During a chase in 1934, Nelson was shot and mortally wounded. Acting on a tip, FBI agents found his body wrapped in a blanket at the side of the road near a cemetery in Illinois.
Nelson was married to Helen Wawzynak, and they had two children.
Saturday, April 23, 2011
Pedro Flores The Inventor of Yo-yos
Yo-yo has been played in the Phillippines and many parts of the world for hundred of years. The word yo-yo means "come back" in Tagalog. The modern yo-yo was developed and introduced by a Filipino, Pedro Flores. It was his favourite game that he played during his childhood days.
Pedro Flores came to the United States in 1915. He studied at the University of California, Berkeley and the Hastings College of Law in San Francisco but did not complete his law degree for reasons unknown. He did not go back to the Phillippines and decided to stay in California, America.
It all started when he read about a man selling a ball attached to a rubber band in the newspaper and became very rich. It reminded him of the game yo-yo which was played in the Phillippines. He decided to improve it. He made a dozen yo-yos by hand and started to sell them to the children in his neighbourhood. The response was good. In 1928, Pedro set up a company to produce yo-yos. After about one year, he managed to set up three factories and employed 600 workers to produce 300000 yo-yos daily.
The yo-yo was then promoted as the Flores yo-yo. Many competitions were held throughout America. Since then, the yo-yo game became popular.
Yo-yo now had become a very popular game all over the world. It is a game that generates children's creavity in performing and creating new tricks. Thanks to Pedro Flores for inventing such a wonderful game.
Pedro Flores came to the United States in 1915. He studied at the University of California, Berkeley and the Hastings College of Law in San Francisco but did not complete his law degree for reasons unknown. He did not go back to the Phillippines and decided to stay in California, America.
It all started when he read about a man selling a ball attached to a rubber band in the newspaper and became very rich. It reminded him of the game yo-yo which was played in the Phillippines. He decided to improve it. He made a dozen yo-yos by hand and started to sell them to the children in his neighbourhood. The response was good. In 1928, Pedro set up a company to produce yo-yos. After about one year, he managed to set up three factories and employed 600 workers to produce 300000 yo-yos daily.
The yo-yo was then promoted as the Flores yo-yo. Many competitions were held throughout America. Since then, the yo-yo game became popular.
Yo-yo now had become a very popular game all over the world. It is a game that generates children's creavity in performing and creating new tricks. Thanks to Pedro Flores for inventing such a wonderful game.
Monday, April 4, 2011
Why Can't We Swallow Chewing Gum?
This question has troubled me for some time now. Its an absurd question, I was like you ignorant fools once, but then one day it hit me, obviously an individual can swallow chewing gum otherwise it would not be distributed in retail markets. Are you seriously accusing your local retailer of trying to cause harm to your temple like body?
One day a man walked down the road, he purchased a packet of Adams Old Time Classic Chiclets Chewing Gum - Mint Flavour. He thought that if he swallowed the gum then he would surely die, so he tried so hard to avoid this that it became inevitable that it would happen. He swallowed it, but still in the spirit of trying to avoid such an occurence he choked and died.
This story carries the moral that you should infact always go out to swallow the gum that you purchase, then you won't choke to death.
NO YOU SHOULD NEVER SWALLOW CHEWING GUM YOU CAN DIE FROM SWALLOWING IT DONT KILL THE WORLD YOU IDIOT!!!!!!!!!!!!!11
One time i swallowed half a roll of bubble tape and it didn't affect me one bit. It doesn't matter.
to be honest it all depends on the size of the gum and how you swallow it, if its big then you could choke, if its small you should be fine. it also depends on the shape.
I only swallow the gum thats like really moist and slimey. not slimey LOL but you knoww. gooeyy. really wett. soaked in saliva IDUNNO xD
One day a man walked down the road, he purchased a packet of Adams Old Time Classic Chiclets Chewing Gum - Mint Flavour. He thought that if he swallowed the gum then he would surely die, so he tried so hard to avoid this that it became inevitable that it would happen. He swallowed it, but still in the spirit of trying to avoid such an occurence he choked and died.
This story carries the moral that you should infact always go out to swallow the gum that you purchase, then you won't choke to death.
NO YOU SHOULD NEVER SWALLOW CHEWING GUM YOU CAN DIE FROM SWALLOWING IT DONT KILL THE WORLD YOU IDIOT!!!!!!!!!!!!!11
One time i swallowed half a roll of bubble tape and it didn't affect me one bit. It doesn't matter.
to be honest it all depends on the size of the gum and how you swallow it, if its big then you could choke, if its small you should be fine. it also depends on the shape.
I only swallow the gum thats like really moist and slimey. not slimey LOL but you knoww. gooeyy. really wett. soaked in saliva IDUNNO xD
Why Can't We Swallow Chewing Gum?
This question has troubled me for some time now. Its an absurd question, I was like you ignorant fools once, but then one day it hit me, obviously an individual can swallow chewing gum otherwise it would not be distributed in retail markets. Are you seriously accusing your local retailer of trying to cause harm to your temple like body?
One day a man walked down the road, he purchased a packet of Adams Old Time Classic Chiclets Chewing Gum - Mint Flavour. He thought that if he swallowed the gum then he would surely die, so he tried so hard to avoid this that it became inevitable that it would happen. He swallowed it, but still in the spirit of trying to avoid such an occurence he choked and died.
This story carries the moral that you should infact always go out to swallow the gum that you purchase, then you won't choke to death.
NO YOU SHOULD NEVER SWALLOW CHEWING GUM YOU CAN DIE FROM SWALLOWING IT DONT KILL THE WORLD YOU IDIOT!!!!!!!!!!!!!11
One time i swallowed half a roll of bubble tape and it didn't affect me one bit. It doesn't matter.
to be honest it all depends on the size of the gum and how you swallow it, if its big then you could choke, if its small you should be fine. it also depends on the shape.
I only swallow the gum thats like really moist and slimey. not slimey LOL but you knoww. gooeyy. really wett. soaked in saliva IDUNNO xD
One day a man walked down the road, he purchased a packet of Adams Old Time Classic Chiclets Chewing Gum - Mint Flavour. He thought that if he swallowed the gum then he would surely die, so he tried so hard to avoid this that it became inevitable that it would happen. He swallowed it, but still in the spirit of trying to avoid such an occurence he choked and died.
This story carries the moral that you should infact always go out to swallow the gum that you purchase, then you won't choke to death.
NO YOU SHOULD NEVER SWALLOW CHEWING GUM YOU CAN DIE FROM SWALLOWING IT DONT KILL THE WORLD YOU IDIOT!!!!!!!!!!!!!11
One time i swallowed half a roll of bubble tape and it didn't affect me one bit. It doesn't matter.
to be honest it all depends on the size of the gum and how you swallow it, if its big then you could choke, if its small you should be fine. it also depends on the shape.
I only swallow the gum thats like really moist and slimey. not slimey LOL but you knoww. gooeyy. really wett. soaked in saliva IDUNNO xD
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